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&#13;
Tomo I&#13;
&#13;
Prólogo del editor a la nueva edición &#13;
Presentación del volumen, por Thomas Huonker&#13;
&#13;
RENACIMIENTO&#13;
Introducción&#13;
Capítulo 1. Origen y esencia de la moralidad &#13;
Capítulo 2. La esencia del Renacimiento&#13;
Capítulo 3. El ideal de belleza física en el Renacimiento&#13;
Capítulo 4. Amor y matrimonio&#13;
Capítulo 5. La moralidad de la Iglesia&#13;
Capítulo 6. En callejones de mujeres&#13;
Capítulo 7. La vida social&#13;
Capítulo 8. El tono popular&#13;
Capítulo 9. La sensualidad enferma&#13;
&#13;
Tomo II&#13;
&#13;
Biografía de Eduard Fuchs, por Thomas Huonker| Presentación del volumen, por Thomas Huonker&#13;
&#13;
LA ÉPOCA GALANTE&#13;
&#13;
Introducción &#13;
Capítulo 1. La época del absolutismo principesco&#13;
Capítulo 2. El nuevo hombre y la nueva mujer&#13;
Capítulo 3. La indumentaria del libertinaje&#13;
Capítulo 4. El amor &#13;
Capitulo5. La galantería tolerada &#13;
Capítulo 6. En la posada y en el salón &#13;
&#13;
Índice&#13;
La obra de Eduard Fuchs, por Thomas Huonker Presentación del volumen, por Thomas Hounker&#13;
&#13;
LA ÉPOCA BURGUESA&#13;
&#13;
Introducción&#13;
&#13;
Capítulo 1. La época burguesa&#13;
Capítulo 2. La persona física en la época burguesa&#13;
Capítulo3. El traje burgués&#13;
Capítulo4. Matrimonio y amor&#13;
Capítulo 5. El amor a destajo&#13;
Capítulo 6. El calendario de diversiones del burgués&#13;
Capítulo 7. Prensa, publicidad, fotografía&#13;
&#13;
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&#13;
Prólogo a la edición de Vintage&#13;
&#13;
Prólogo a la primera edición . Introducción 		&#13;
&#13;
PRIMERA PARTE&#13;
&#13;
BAJO EL DOM1NIO DEL PRINCIPIO DE LA REALIDAD&#13;
&#13;
I.	La tendencia oculta en el psicoanálisis&#13;
II.	El origen del individuo reprimido (Ontogénesis)&#13;
III.	El origen del a civilización represiva (Filogénesis)&#13;
IV.	La dialéctica de la civilización&#13;
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&#13;
SEGUNDA PARTE&#13;
MAS ALLA DEL PRINCIPIO DE LA REALIDAD &#13;
&#13;
VI. Los limites históricos del principio de la realidad establecido&#13;
VII.	Fantasía y utopía&#13;
VIII.	Las imágenes de Orfeo y 	Narciso&#13;
IX.	La dimensión estética&#13;
X.	La transformación de la sexualidad	 en 	Eros&#13;
XL	Eros y Tánatos&#13;
&#13;
Epilogo: Critica del revisionismo neo freudiano &#13;
Obras de Freud citadas en el texto&#13;
&#13;
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                <text>&lt;a href="http://catalogo.cedinci.org/cgi-bin/koha/opac-detail.pl?biblionumber=15577" target="_blank" rel="noreferrer noopener"&gt;Biblioteca CeDInCI&lt;/a&gt;</text>
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                <text>Contenido: &#13;
&#13;
INTRODUCCIÓN&#13;
1.	LA PARANOIA ANTIHOMOSEXUAL&#13;
La antifisica y la ley: la naturaleza y el código - El mito del progreso de las costumbres - La pa¬ranoia antihomosexual se fortalece - Homosexualidad y criminalidad -  Homosexualidad y enfermedad - La homosexualidad “latente” contra la homosexualidad “patente”.&#13;
&#13;
2.	VERGONZANTES, PERVERSOS, LOCOS&#13;
Polimorfismo perverso, bisexualidad, sexo no humano - El odio a, la mujer - La edipización de la homosexualidad - La castración, el narcisismo - Edipo y el homosexual - El presidente homosexual - El ciclo infernal de la curación, 49. - Vergüenza y homosexualidad.&#13;
&#13;
3.	FAMILIA, CAPITALISMO, ANO&#13;
El falo significante y el ano sublimado - Homosexualidad y ano - Homosexualidad y pérdida de identidad, 63. - Sociedad de competencia y reino del falo, 65. - Reproducción edípica y homosexualidad - La grupalización homosexual.&#13;
&#13;
4.	“ELECCION OBJETAL” y “COMPORTAMIENTO” HOMOSEXUALES&#13;
La “elección objetal”- “Tercer sexo” y femenino-masculino - Masoquismo y homosexualidad - La máquina de draga.&#13;
&#13;
5.	EL COMBATE HOMOSEXUAL&#13;
La revolución del deseo - ¿Por qué la homosexua¬lidad? - La trampa perversa - Contra lo piramidal&#13;
&#13;
CONCLUSION&#13;
&#13;
OBRAS Y DIARIOS CITADOS&#13;
&#13;
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